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  • Martine Syms, DED, 2021. Julie Falk, E. E. Green, 2026. Photo: Malle Madsen
    Senga Nengudi, Untitled, 2011. Photo: Malle Madsen
    Peter Wächtler, Rolf Nowotny, Julie Falk, Martine Syms. Photo: Malle Madsen
    Rolf Nowotny, PERMADEATH 1, 2026. Photo: Malle Madsen
    Lutz Bacher, The Alps, 2015. Photo: Malle Madsen
    Peter Wächtler, Untitled (Dog), 2017. Photo: Malle Madsen
    Julie Falk, Kai Althoff, Rolf Nowotny, Lutz Bacher. Photo: Malle Madsen
    Samara Salam, Movement III, The Ocean Floor. The third and final movement of The Language Journey: On the Path to Meaning, 2025. Photo: Malle Madsen
    Hanne Darboven, Kalenderbuch 92, 1992. Photo: Malle Madsen
    Meriem Bennani & Orian Barki, 2 Lizards, 2020. Photo: Malle Madsen
    Rolf Nowotny, PERMADEATH 1, 2026. Photo: Malle Madsen
    Roland Topor, L'aquarium renversé, 1989. Photo: Malle Madsen

    Nervetråde Toaster

    12.09.26 — 01.11.26

    Kai Althoff, Lutz Bacher, Meriem Bennani & Orian Barki, Adam Christensen, Hanne Darboven, Julie Falk, Karen Kilimnik, Ville Laurinkoski, Adam Linder, Senga Nengudi, Rolf Nowotny, Samara Sallam, Agnes Scherer, Sara Sjölin, Martine Syms, Alma Toaspern, Roland Topor, Peter Wächtler and Sofie Winther

    Nervetråde (Nerve Fibers) revolves around the grotesque, tracing threads from the nervous sensibility of literature around 1900, when Den Frie was founded, to the frayed nerves of contemporary art. The exhibition brings together works by Danish and international artists whose works pulse with the unease and strangeness running through our time.

     

    In Nervetråde, the grotesque emerges as a distinct way of engaging with the world, making the familiar strange through distortion, displacement and contrast. The exhibition draws inspiration from a number of Danish writers who, at the turn of the twentieth century, broke with realist modes of writing through narratives that embraced the peculiar, the morbid, the nervous and the bizarre. Their writing suggested that behind the familiar world of everyday life lay another, more unstable one; the works in the exhibition do the same.

     

    Drawing on this strain in Danish literature, which has received renewed attention in recent years, the exhibition presents contemporary artists who, each in their own way, reshape reality through grotesque impulses and ambivalent effects. Their works bring otherwise incompatible elements—the comic and the frightening, the rational and the absurd—into proximity, creating a distorted image of the paradoxical world in which we live.

     

    Nervetråde does not seek to soothe our nerves, but rather to set them on edge, stimulating them to unpredictable ends.

    More ↓

    Peter Wächtler, Bat, 2018. Photo: Malle Madsen
    Rolf Nowotny, PERMADEATH 1, 2026. Photo: Malle Madsen
    Agnes Scherer, Lit de Sirène, 2024. Photo: Malle Madsen
    Lutz Bacher, The Alps, 2015. Photo: Malle Madsen
    Kai Althoff, Untitled, 2019. Photo: Malle Madsen
    Samara Salam, Movement III, The Ocean Floor. The third and final movement of The Language Journey: On the Path to Meaning, 2025. Photo: Malle Madsen
    Karem Kilimnik, Lunatic Asylum, 1992. Photo: Malle Madsen

    The exhibition is generously supported by

    Det Obelske Familiefond, Augustinus Fonden, Statens Kunstfond, Aage og Johanne Louis-Hansens Fond, Dansk Tennis Fond and Ny Carlsbergfondet.

    Curator

    Magnus Thorø Clausen

    Sif Lindblad

     

    Graphic design

    Beate Bloch Christensen